Archive for bookbinding

Woven Chain Guest Book
August 5th, 2009 | Link

Woven Chain Guest Book: top/front view

I’m unabashedly pleased with myself on this guest book, which is a wedding gift for Jane and Patrick.

Woven Chain Guest Book: spine stitching

There are three sections of Rives BFK cover-weight paper totalling 24 sheets. The sections are attached to the spine using the Woven Chain sewing from the second volume of Keith Smith’s non-adhesive binding series, 1- 2- & 3-Section Sewings, and 12/3 waxed linen thread. There’s 1/4″ between the first and second sewing stations at the top, and 3/4″ between the remaining sewing stations. There are a couple of reasons why I like this sewing (in spite of the agony of punching all those holes): it’s attractive on the outside, and it has good structural integrity because thread runs all the way down inside each sections.

Woven Chain Guest Book: front/spine view

Finished size is 11-5/8″ wide by 7-3/4″ high by 1-3/8″ deep. Jane picked out the lovely geranium Japanese paper from The Paper Place. The book cloth is Asahi book cloth from Talas.

A Book About the Books
June 21st, 2009 | Link

Moving from a production mindset to an experiential mindset in bookbinding has inspired me to record more information about the books while making them. Previously, I photographed a book when I completed it, and perhaps blogged or posted the picture to my Bookbinding set on Flickr along with few notes about the size and number of pages, and then moved on. If it was a book I was likely to make multiples of and didn’t change much from one to the next—such as a photo album or journal from a purchased book block—I might record the sizes to cut for the boards, cover paper and book cloth in the (purchased!) notebook I stick in the box with my binding tools, but that was it. So I’ve started to catalog the books as I work on them.

I bought a wire-bound sketch book for this project, because I wanted the freedom to rip out pages if needed, and to be able to paste in photographs of the book and samples of paper and book cloth. The format for each entry is something like this:

  • Catalog number and title
  • Finished size and number of pages
  • Description
  • Cover: board or cover stock, thickness or weight, measurements of cover and spine pieces, samples of decorative paper, book cloth, paste-down, etc., and place of purchase
  • Pages: paper used, weight, full-sheet size, place of purchase, folio size, number of folios per section, number of sections, and a sample
  • Sewing: thread used, location of sewing stations, method, and a sample
  • Notes on construction: information I found useful in the construction of the book, such as reference books/pages for instruction; any details such as the size of the bit I used to drill holes; what I think went well or poorly; what I’m happy with or not happy with; etc.
  • Date completed
  • Name of the recipient, if I didn’t keep it
  • Sketches and/or photographs

So far there are four entries in my Book About the Books, and I already wish I’d done this two years ago.

What about you other bookbinders out there? Do you keep a catalog or journal of your books as you work on them? What other information do you find helpful when you’re looking back over your works? What do you do?

Long Stitch and Link Stitch Sketch Book
June 8th, 2009 | Link

Sketchbook - front view

This is a sketch book for my friend Grant. 11-3/4″ wide by 9″ high and 1-1/4″ thick; 96 pages of Mohawk Bristol Drawing (eight sections each containing three folios). It’s a tad wider at the spine, so it’s got room to swell if he decides to do collage or tip in a few photos.

Japanese paper detail

This is my second-favorite Japanese paper of all time, only surpassed by the same pattern in a different colorway that I have not been able to find since I bought a sheet of it five or so years ago (sigh). I ordered this version from The Paper Place.

Japanese paper detail

The spine is a standard long stitch and link stitch binding from Keith Smith’s Non-Adhesive Bindings Volume 1. I’m really happy with the tension on this sewing.

Giveaway Winners
June 1st, 2009 | Link

With the help of random.org I have picked two winners from the comments on my giveaway post. And the winners of the two journals are…

Todd and Simon!

Thanks to everyone who entered, and to everyone who’s reading!

Long-Stitch Photo Album
May 22nd, 2009 | Link

Spine view: black bookcloth spine with white stitching, with Japanese paper on the covers

I’m sure there’s a specific name for this binding, but I don’t know what it is. It’s basically a pamphlet stitch with the threads outside crossing over on a diagonal to a different section, forming this cross-hatch pattern.

Read more…

It’s a Giveaway!
May 19th, 2009 | Link

Two journals: one with copper spirals on a black checkerboard, one a solid red textured paper

In an effort to make room for some of the new books that are burning to get out of my head and into a real form, I’ve decided to give away these two Coptic journals. I’ll be totally honest with you: the reason I’m giving them away and not putting them up for sale on Etsy is that they each have teeny flaws. These flaws in no way impair the books’ functional use—you probably won’t notice them, even now I’ve told you they are there—but they don’t meet my rigid standards of quality assurance and so I’m giving them away.

Inside covers of the two journals

What do you have to do to win one? Just leave a comment on this post before midnight PST on May 31st, 2009, telling me how you found this web site. You don’t have to leave your real name, but do enter a valid email address so I can reach you if you win (your email address won’t be displayed). I’ll draw two names randomly on June 1st and contact the winners for their snail-mail addresses. Yes, it’s totally OK to enter if you don’t live in the United States, as long as you’re reachable by some postal service somewhere!

Long Stitch Variation with Button Flap
May 11th, 2009 | Link

Front view: blue-gray paper cover with black spine stitches and flap fastened with a vintage Japanese black button and linen thread

Some days I just need to finish something to feel successful. Yesterday a non-adhesive binding fit the bill. I’ve played with this structure in several variations, but this was my first attempt with a fastened cover.

Read more…

Paper Folding Meditation and the Business of Bookbinding
May 4th, 2009 | Link

I spent most of the weekend folding paper. It was the first weekend in weeks that I didn’t work, and it was raining, so I stayed in and watched animé with E. while he experimented with Python and I folded and tore paper. It was nice to be doing something that didn’t require focus after the deadlines of last week.

I grabbed all of the remaining 119 gsm Mohawk Superfine sheets off my paper cart and started folding. I thought there were only about 20 sheets (25″ by 35″, grain short), but when I finally finished I realized there had been quite a few more. All told, I folded and tore 46 full-size sheets into 736 4-1/4″ by 5-1/2″ folios. That’s folding sheets of paper in varying sizes in half 1426 times, and ripping through the crease with a bone folder 690 times. No wonder my back hurts!

When you realize the amount of time it takes to do some of these things, it can be really disheartening to price your work for sale. I spent at least 7 hours folding and tearing paper by hand, and over an hour last night assembling the folios into sections. This is light-weight paper; I use six folios per section rather than the usual four, so with eight sections per book I prepared enough paper for about 15 books. That means it took about an hour just to prep the paper for two books. Depending on how I bind them, it will take another hour or more per book to prepare the covers and sew the bindings. If I sell these $18, after deducting the cost of materials I’m making about California minimum wage—and that’s before I even consider the amount of time it takes to photograph each piece, write a description, step through the five page form required to upload each book to Etsy, and deduct the additional fees for each sale to pay to Etsy and Paypal.

There are certain things that I can do to produce more, faster. I could use my Kutrimmer, rather than tear the paper. I could use heavier, larger sheets of paper (which I usually do—this paper is the last of an unfortunate online ordering choice), use four folios per section instead of six, or use fewer sections in the book. I could have made 8-1/2″ by 11″ folios and saved myself a few hundred folds and tears. I could choose to make only specific book structures, those which are faster to produce. I could even outsource, as my husband often teases. But when I start making creative decisions based on production optimization, it takes some of the fun and spontaneity out of the experience.

My Etsy store has been mostly empty these last few months, partly due to lack of time to produce anything to put into it, and partly due to lack of interest. When I produce for the sake of selling, I tend to go into production line mode, and I get bored with making the same structures over and over again. This year I want to explore more and make things for the sake of my own interests, and if they turn out well and I start running out of room again they’ll go up for sale.

My New Favourite Online Paper Source
December 17th, 2008 | Link

I’ve long been a fan of the Japanese Paper Place, which has always had the most drool-worthy selection of Chiyogami papers I’ve ever seen. But, not living in—and rarely traveling to—Toronto, and not being a wholesaler, I’ve had to depend on other retailers to get the papers for me, because the store has never sold online. (Paper Mojo would order any paper for you, but the minimum sheet requirement was too high for me.)

All that just changed.

Inevitable
September 13th, 2008 | Link

My hugely bandaged thumb

Really, with all the sharp implements involved in bookbinding and my innate accident proneness, it was only a matter of time before I took the tip of my thumb off. (Don’t worry—it was much smaller piece than the bandage would seem to indicate.)

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About

My name is Shannon Hale. This blog is on indefinite hiatus, but it contains archives of the last 10 years of posts about bookbinding, knitting, sewing. and other random things in my life.

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